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Vater unser im Himmelreich. Vater unser im Himmelreich, WK ii, Ariadne musica 20 Preludes and Fugues. Prelude and Fugue for 4 Hands in C Major.

Fischer, Johann Caspar Ferdinand

Payne, Joseph , organ Payne, Phoebe , organ. Toccata duodezima.

Prelude and Fugue in A Minor, Op. Prelude in A-Flat Major, Op. Naxos Records, a member of the Naxos Music Group. Follow Us. All rights reserved. We use cookies to improve the use of our website, our products and services, and confirm your login authorization or initial creation of account. By clicking "Ok" or by continuing to use our website, you agree to cookies being set on your device as explained in our Privacy Policy. You may disable the use of cookies if you do not wish to accept them, however, this may limit the website's overall functionality.

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J.K.F Fischer Ariadne Musica Fuga nº 17 En Si Bemol Mayor. Partitura y audición

Drinking Hanging Out In Love. Introspection Late Night Partying.

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Fischer: Ariadne Musica for Keyboard

Features Interviews Lists. Streams Videos All Posts. Born ca. Died August 27, in Rastatt, Germany. Genre Classical. Styles Keyboard Choral. Also Known As J.

Air des Triomphans, for organ. Ariadne musica neo-organoedum, 20 preludes and fugues for organ, Op. Chaconne for organ in A minor.

Ariadne Musica 5 scored for Organ Solo

Chaconne in F major. Miscellaneous Classical. Fischer's piece is quite short although not as short as, for instance, the 8 bar E Phrygian fugue from the same collection and written predominantly using long note values; Bach's fugue is much more complex, with dense counterpoint and also much longer - although Fischer's subject makes it into one of the few pieces from the WTC that feature a significant amount of whole and half-notes in all voices. The same six-note subject is found in two 17th century keyboard compositions by the famous Johann Jakob Froberger : Fantasia No.

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The latter's opening bars can be seen below with the inverted version of the same theme shown in dark pink :. Fischer might have learned the theme from Froberger. Additionally, Fischer's E-flat major fugue and Bach's G minor fugue from Book 1 share a similar structure concerning the use of countersubjects; the subject of Bach's fugue is a slightly modified version of Fischer's. Both Bach's and Fischer's C major fugues are heavily based on stretto and their subjects are somewhat similar rhythmically.


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Ariadne musica is rarely performed or recorded, although individual preludes and fugues frequently appear on miscellaneous compilations of Baroque organ music. Here's a partial list of recordings that feature at least one part of Ariadne musica preludes and fugues or ricercars in full:.